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1001 films you must see before you die- Part IX: 1965-1969

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Re: 1001 films you must see before you die- Part IX: 1965-1969

Mensaje  JM el Miér Nov 04, 2009 8:47 pm

506
Sayat Nova (The color of the pomegranates) (Sergei Parajanov, 1968)




The Color of Pomegranates (Sayat Nova) is a 1968 motion picture by the Soviet Armenian director Sergei Parajanov, considered a masterpiece by Federico Fellini, Jean-Luc Godard and Michelangelo Antonioni. It was censored, refused an export license and banned in the Soviet Union but made the Top 10 list in Cahiers du cinéma in 1982 and Top 100 in Time Out.
Sergei Parajanov's "Color of the Pomegranate", a biography of the Armenian ashug Sayat Nova (King of Song), reveals the poet's life more through his poetry than a conventional narration of important events in Sayat Nova's life. The movie shows the poet growing up, discovering the female forms, falling in love, entering a monastery and dying. But these incidents are depicted in the context of what are images from Sergei Parajanov's imagination and Sayat Nova's poems, poems that are seen and rarely heard. Sofiko Chiaureli plays 6 roles, both male and female, and Sergei Parajanov, works on virtually every aspect of this film, void of any dialog or camera movement.
His inspiration, he said, was "the Armenian illuminated miniatures. I wanted to create that inner dynamic that comes from inside the picture, the forms and the dramaturgy of colour."


JM

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Re: 1001 films you must see before you die- Part IX: 1965-1969

Mensaje  JM el Miér Nov 04, 2009 8:53 pm

507
Kes (Ken Loach, 1969)




Kes is a 1969 British film from director Ken Loach and producer Tony Garnett. The film is based on the novel A Kestrel for a Knave written by the Barnsley born author Barry Hines in 1968. The film is ranked seventh in the British Film Institute's Top Ten (British) Films.
The film focuses on Billy Casper, who has little hope in life beyond becoming a coal miner and is bullied both at home, by his physically and verbally abusive brother, Jud, as well as at school. He is mischievous himself; he steals milk from milk floats, gets other students into trouble and generally fights and misbehaves. Billy comes over as an emotionally neglected boy with little self-respect. His mother refers to him in the film as a "hopeless case".


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